Movies: Cloverfield 2008 TS XViD

Description:

Cloverfield: Fly On The Wall

“The world’s been here for millions of years. Man’s been walking upright for a comparatively short time. Mentally we’re still crawling.”
– Professor Tom Nesbitt from The Beast From 20,000 Fathoms

“When Man entered the atomic age, he opened a door into a new world. What he eventually finds in that new world, nobody can predict.”
– Dr. Harold Medford from Them!

“Yeah, people are gonna want to know… how it all went down.”
– Hud Platt from Cloverfield

Cloverfield is very effective for what it is. The true pleasure of watching Cloverfield is akin to finding a message in a bottle. In this the case, the bottle is a video camcorder and the message is the content on the videotape. The film is the epitome of the YouTube Generation. The movie’s greatest irony is that watching a videotape on the big screen returns us to the pleasures of a shared communal experience. This is a movie that has to be seen in a crowded theater in order for it to be effective. I truly believe this movie will lose a lot on a small screen and especially watching it on a computer. I am not even sure if it will hold up on repeated viewings. Cloverfield is more an experience than an actual film. This is not a bad thing given the nature of the storytelling devices that director, Matt Reeves, and screenwriter, Drew Goddard, employ. By focusing on the human element aspect of the genre, we are thrown into the action when everything goes down. You want to know what it feels like to be that woman cradling her young children in the original Gojira or dazed and scared as the running crowds like in either version of War Of The Worlds; this movie puts you in the middle of that experience. Reeves accomplishes what John McTiernan claimed he wanted to do in Predator– put you in the middle of action. Reeves does this with incredible ease. Speaking of War Of The Worlds, this movie does an excellent job of creating a level of panic just as Steven Spielberg did with his remake in 2005. I find the first half of that film to be as scary as they come. Spielberg’s version captured the fear very well, just as Frank Darabont did in The Mist last year.

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